I anslutning till årets Cassirer-föreläsning håller Hans-Jörg Rheinberger, vetenskapshistoriker vid Max-Planck-Institut für Wissenschaftsgeschichte i Berlin, även ett seminarium på Akademin Valand:


Between the end of the 1940s and the late 1950s, a collaboration of a peculiar sort developed in Paris between the copper engraver of German origin Albert Flocon and Gaston Bachelard, the French philosopher of science and poetologist of imagination. The outcome of this encounter is not very well known even by experts of either Bachelard’s oeuvre or of post-war art in France. Flocon and Bachelard together created a series of art books to which the former contributed the engravings and the latter enriched them with shorter or longer commentaries. These commentaries take the form of reflections about the hand of the engraver, the resistance that it experiences and the constructive forces that it sets free. I will describe the encounter by presenting a number of selected examples that will give an impression of the whole oeuvre. I will also shed light on the connection between the poetological and the epistemological interests of Bachelard.

Rheinbergers föredrag följs av en öppen diskussion kring förhållandet mellan konstnärligt och vetenskapligt tänkande och skapande – en problemställning helt och hållet i Cassirers anda. Alltså: fredagen den 14 september kl. 13–15 i X-Library, Akademin Valand (plan 2). Ingen föranmälan – bara att komma!